|
| |
TRANSMISSION: Theory and Practice for a New Television
Aesthetics,1985, Tanam Press, (Editor).
ILLUMINATING VIDEO, 1990, Aperture, New York, (Contributor).
Still Photography, the Problematic Model, 1981, NFS
Press (Co-Editor).
En Torno al Video, 1980, Editorial GG (Contributor),
Barcelona.
Eros and Photography, 1977, NFS Press (Contributor).
Photography and Language, 1976, NFS Press (Contributor).
[ selected- acknowledgements & reviews ] :
2008 |
Paul, C. Digital Art, Thames & Hudson. |
2007 |
Rush, M. Video Art, Thames & Hudson. |
| 2005 |
Rush, M. New Media in Art, Thames & Hudson.
|
2004 |
Kacunko, S. Closed Circuit Video Installation,
Logos Verlag, Berlin.
|
| 2003 |
Ascott, R. Telematic Embrace: Visionary Theories
of Art,
Technology and Consciousness, University of California
Press.
|
| 2001 |
Wilson, S. Information
Arts: Intersections of Art & Science
& Technology, MIT Press.
|
| 1999 |
Rush, M. New Media in the
Late 20th Century, Thames
& Hudson.
|
| 1998 |
Dinkla, S. Pioniere Interaktiver
Kunst, ZKM-Cantz, Germany.
|
| 1997 |
Atkins, R. ArtSpeak:
A Guide to Contemporary Ideas, Abbeville, New York.
|
| 1996 |
Malsch, M. & D. Streckel.
Kunst-Videos, 1996, Cantz, Zurich.
|
| 1991 |
Hall, D. & S. Fifer. Illuminating
Video, Aperture, New York.
Zippay,L. International Video, Abbeville, New York
.
|
| 1987 |
Costa, M. Communication Aesthetics,
Salerno, Italy.
|
| 1986 |
Boyle, D. Video Classics:
A Guide to Video Art and Documentary Tapes, Phoenix.
Ristic, M. Videosfera. Belgrade.
Payant, R. VIDEO, Montreal.
|
| 1985 |
Podesta, P. Resolutions:
A Critique of Video Art, Los Angeles.
|
| 1981 |
Foley, S. Space/Time/Sound,-1970s:
A Decade in the Bay Area, San Francisco.
|
| 1977 |
Kostelanetz, R. Seventh Assembling,
New York. |
|
|
|
